Love Sonnet

Orson Welles pitching Paul Masson wine

“We’ll Sell No Wine”

“We’ll sell no wine before its time,” we’re told.
The fat and famous spokesman made it clear,
Each vintage has its period of gold.
(You must assess the pressing and the year.)

So, likewise, for each vintage comes a time
The point past which there’s no return at all.
Decay and oxidation work their crime,
And turn your sweetest nectar into gall.

So come, my dear, what are we waiting for?
Our cellar holds a few more bottles still.
Pick one and brush away the dust before
Time turns its contents back to must — time will.
Cast off our caution and our clothes and pour,
And drink with joy until we’ve had our fill.


Notes:  The news lately has been filled with dreadful reports:  mass shootings in Las Vegas, bombings in far-away lands, vile behavior by the powerful of Hollywood.

Because I know that mankind is fallen, I have no confidence in “human nature.”  But my innate positive outlook this week has been shaken.

When the week began, I learned that the son of a friend and former colleague had been one of the wounded in the Las Vegas mass shooting.  He had been a law enforcement officer for over 20 years and had never been shot, nor shot anyone in the line of duty.

And then he was shot in the neck and shoulder while he was attending a country music concert.

Thankfully, he survived and is on the mend today, and should be okay.

Then, the news about the Hollywood sexual abuse scandal broke.  My Facebook feed has been filled not only lurid stories of the rich and famous, but heartbreaking firsthand accounts from women I know who have suffered in silence from heinous actions of abusers.

The sheer amount of #me too is overwhelming.

Evil is real and more common than we want to admit.

One particularly poignant series of posts has made me reassess my own hometown experience.

I’ve written glowingly about my childhood and my hometown and my education.

As I have processed the new information, I must admit that — depending on where you stood — my hometown could have been more Twin Peaks than Mayberry RFD.

There was stuff going on back there that I had no idea about.

So, in the face of horror and dread, I will resort to a place of solace and peace.

I will celebrate love, and marriage, and monogamy.

I will seek to find meaning and comfort in order and rhyme and meter.

When the society and the culture seems to be disintegrating, I will look to the good examples I have in my life and celebrate faithfulness and honor and love.

I really don’t know what else to do.

Historical note:

I’m old enough to remember when Orson Welles became a television pitchman for a sort-of-good American wine.

Welles had been the genius who panicked the nation in 1938 with his faux-documentary radio broadcast, “War of the Worlds.” In 1941, he directed and starred in “Citizen Kane,” considered to be among the best — if not the best film of all time.

By the late 1970s, Welles was making commercials. His Paul Masson spots are still classics.

“We will sell no wine before its time,” was a magnificent slogan.

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Hometown haiku

Baseball cards from the early 1960s
When I was a child
my heroes were immortal.
Now, they’re mostly gone.


Notes:

If you had talked to me when I was 9 or 10 years old, I would have told you I was sure I was going to be a baseball player when I grew up.  Many a long summer day was spent playing sandlot games in the vacant lot behind Fitzgibbon Memorial Hospital in what was universally known as “The Hospital Yard.”

No adult supervised.  A wide range of ages played.  There was Tommy Fox, with his wicked left-handed batting.  Big Wayne Halsey, an older kid, who once hit a ball over the huge trees at the far end of the lot.  Steve Cunningham, God rest his soul, played, and so did the Mounts brothers, Paul and Steve.  And many more long forgotten.

Somehow, we just figured it out, negotiating disputes and triangulating our way to make games fair.  When we didn’t have enough players to form respectable teams, we played games designed for smaller numbers like “Work-Up,” or “Five Hundred.”  These games might not have been as exciting as full-fledged baseball, but they enabled us to keep playing long after most of the other kids had to go home.

So we played until we wore ourselves out, until darkness fell, or until our mothers hollered for us to come in for supper.

To be sure, there was an organized baseball league out at the municipal park, but it was a pretty low-key affair, with maybe one or two games a week.  Not nearly enough to satisfy.

In between these baseball games, I would hang out with my buddy Royce Kincaid and play 2-man whiffle ball.  We had devised elaborate rules that enabled us to play entire games against each other all by ourselves.  We would each pick one of our favorite professional teams, and pretend to be each of the starting players.  We were such fanatics that — even though neither of were ambidextrous — we would bat right-handed if the player batted right, and bat left-handed if the player batted left.

We were pretty evenly matched and the competition was fierce.  We could argue close calls, and learned how to give and take for the sake of the game.  Neither of us wanted to push any argument to the point of risking the continuation of play.

We knew our information about the professional players because were also fanatical baseball card collectors.  For a stretch that spanned about 3 or 4 years, we devoted a very large percentage of our meager kid income to buying baseball cards at 5 cents a pack.  Back then, the cards came with a pink slab of bubblegum dusted with white powered sugar.

We didn’t really care about the gum.  We wanted the cards.  We would beg our parents for cards on every trip to the A&P, IGA, or MFA grocery store.  We would haunt the small neighborhood grocery stores that served our little town back in the days before convenience stores looking for good cards.

We figured out that the Topps Baseball Card Company would release the cards in flights over the course of a baseball season.  We would start the year with every pack full of unique new treasures.  But soon we would start finding our purchased packs full of cards we already had — “doubles,” we called them.

We would still cautiously buy packs here and there, sometimes prying the packs open to sneak a peak inside to increase our chances of getting a card we didn’t already have.

Then, when  we  discovered that a new series had been released, we rush out with our nickels in our hands ready to splurge again.  I remember riding my bike all the way to the west end of town to buy “fresh” cards at a little store that had gotten them  before anywhere else.

We would get together with other guys and trade cards, and show off our collections.  But mostly we looked at the cards and studied them.  I arranged them by team, and position. I studied the statistics on the back and memorized the trivia about each player.  When the St. Louis Cardinals or Kansas City A’s were on the radio, I would pull out the cards of each team and follow along as each player batted.

Back in those days, the Cardinals came in loud and strong on KMOX, and the games were called by Jack Buck and Harry Caray before Harry defected to Chicago.

I got to taste both victory and defeat.  The Cards were in one of their many periods of greatness. The A’s were pitiful losers, more of a backwater club that seemed to always sell its most promising players to the hated N.Y. Yankees just before they hit their prime.

In those days the A’s were owned by impresario Charlie Finley, who pushed the boundaries of good taste and good sense.  He introduced garish the  garish Kelly Green and Gold uniforms, and brought a mule named Charlie O into the stadium.  When Finley moved the team to Oakland in 1968, I washed my hands of them.  The fact that they soon started winning in their new city only made me hate them more.

But, did I  ever have some great cards!  Bob Gibson.  Mickey Mantle.  Hank Aaron.  Roberto Clemente.  Sandy Koufax.  Don Drysdale.  Ernie Banks.  Yogi Berra.  Willie Mays.  Tim McCarver.  All of the greats from the early 60s.

I was sure someday my face would be on one of those cards.

But life has a way of going in unanticipated directions.  I grew up and developed more of an interest in girls than baseball.

In just a few years the cardboard box of baseball cards was shoved back under my bed and largely forgotten.

It was not until I had kids of my own and came back to visit my parents that I inquired about the baseball cards.  They had disappeared, and my mother, who had guarded my old room like a museum shine, had gradually lost her memory.

I had pretty much given up ever seeing the old keepsakes again, when my father remembered that my mother had stashed some of my items in an old dresser drawer in her bedroom.

Sure enough, behind some old blouses I found a small box of baseball cards!  They were not the full set.  It was my old box of doubles.

But it was like a reunion with old friends.  There was Roger Maris and Sandy Koufax.  And Duke Snider and Kenny Boyer.  There was even an old Jerry Lumpe card.  A good player, but never a big star, Jerry was notable at least in our neighborhood because he played for the Kansas City A’s and Freddie Mueschke, the neighbor kid who lived on the corner, claimed to be Jerry Lumpe’s nephew.

We never verified Freddie’s story, but he got a lot of mileage from that claim to fame.

(I was gratified to learn that Lumpe has his own entry in Wikipedia.  He even managed to have such a good season in 1964 that he was named to the American League All Star Team.  That happened the year right after he was traded from the A’s, of course.)

A lot of my best cards were missing.  No Mickey Mantles or Hank Aarons.  But it was still like finding a treasure trove nonetheless.

Mom had reached through the years and through her senility to bless her little boy with one last small gift.  By this time she was lying in a nursing home without a  memory.  But  her gift to me had restored a whole storehouse of memories.

Rustic Free Verse

My brother Larry at about the time of the events in this poem. I'm the little one.
Brother Larry and I at the time of the events in this poem.

 

Wild Geese

I heard them long before I saw them
Like a cacophony of oncoming clown cars.
Rising up out of the valley
And breaking over the Douglas firs.
The biggest formation I’d ever seen,
A magnificent wedge of geese all headed somewhere fast.
There must have been a hundred of them
Flying so low they went by just-like-that
With two hundred wings pumping urgently in unison.
And then they were gone
With just a fading honking echo left behind.

Was it a flock like that, dear brother,
That enticed you to run out of the barn door
That evening so long ago, shotgun in hand,
Thinking you might have a chance at bagging one?

Mom and I were up at the house making cookies,
And I remember hearing eerie wails and noises
Coming from the dark outside
And laughing, thinking it must be some strange animal
Making its strange animal sounds.

But when the cries went on and on
Mom got worried and went to look.
It could have been worse, you know.
You could have blown your head off,
You big klutz.
As it was, you only tripped over the threshold
And broke your elbow, which was bad enough,
So bad you couldn’t wrangle open the barnyard gate,
And so bad it made you moan like a dying beast.

But we drove you all the way to Cameron that night
To find a doctor who could set the bone.
And you got a cast and it healed up mostly,
And though you’d live another 60 years or so,
You never would be able to straighten out that arm.

You did your best to teach me how to hunt
But I never was much for killing things,
Yet … any time I hear wild geese approaching
I still run to where I can get a clear line of sight,
If only to shoot them with my eyes.

Brother John in hunting mode
All my brothers were big hunters.