Poem for Autumn

October's blaze adorns the lawn

Autumn Lament

September’s sun has come and gone
++++And now the fall is here.
October’s blaze adorns the lawn,
++++The swan song of the year.

The bonfires of my autumns past
++++Burn cool as I recall
The hayride loves that failed to last
++++Beyond the end of fall.

Out on the gridiron battlefield,
++++Where so much toil was paid,
Where cheers and chants once loudly pealed,
++++Now flags and glory fade.

Our friends and kinsmen now are few.
++++Our lovers are all gone.
All those we thought would see us through
++++Cannot be counted on.

When we were young we loved the fall.
++++We loved the leaves aglow.
Knew always we’d have one more fall.
++++Those days, what did we know?


(2018)

NOTES: Something about autumn makes me want to return to the poems of British poet A.E. Housman.

Housman once said in a lecture that the special function of poetry was “to transfuse emotion–not to transmit thought but to set up in the reader’s sense a vibration corresponding to what was felt by the writer.”

There is something in so many of his poems that vibrates on the same wavelength with the sense of loss I feel when fall arrives. So when the nights began to cool and the leaves began to turn, I picked up my old copy of A Shropshire Lad and relished Housman’s lean, direct, and delicious verse once again.

One of the forms he used was a type of ballad that alternates lines of 8 syllables with lines of 6 syllables.  It’s the form Housman used in one of my favorites, Number XXXVI in Shropshire, a poem that opens:

White in the moon the long road lies,
The moon stands blank above;
White in the moon the long road lies,
That leads me from my love.

It’s a seemingly simple form, but ideal for conveying emotion in a concise, concentrated way. It’s tricky because the lines are so short. There is no room for filler or fluff. I had tried my hand at it before, but neglected it recently.

So, with my emotion fortified by Housman’s verse, and my memory refreshed regarding a potent poetic form, I sat down this week to try my hand at “transfusing emotion.”

Let me know if you picked up the vibration.

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Sonnet for Love in Late Summer

Wine barrel signed by Orson Welles

“We’ll Sell No Wine…”

“We’ll sell no wine before its time,” we’re told.
The fat and famous spokesman made it clear,
Each vintage has its period of gold.
(You must assess the pressing and the year.)

So, likewise, for each vintage comes a time
The point past which there’s no return at all.
Decay and oxidation work their crime,
And turn your sweetest nectar into gall.

So come, my dear, what are we waiting for?
Our cellar holds a few more bottles still.
Pick one and brush away the dust before
Time turns its contents back to must — time will.
Cast off our caution and our clothes and pour,
And drink with joy until we’ve had our fill.


(2016)

Photo courtesy of TripAdvisor

NOTES: The shorter days and fainter light of September are stirring all sorts of poignant feelings. Something about this time of year makes me want to haul this old poem out of the cellar one more time.

I’m old enough to remember when Orson Welles employed his considerable talent to pitch some middle-of-the-road wine back in the late 1970s. He had been a celebrated actor, who had co-written, directed, and starred in Citizen Kane, what many still consider the best film ever made.

But he was difficult to work with, and had trouble raising money for his projects.  So he turned to advertising to pay the bills. His Paul Masson spots where he declared, “We will sell no wine before its time,” are classic examples of great advertising.

Paul Masson sales reportedly rose by 33% while that campaign ran.

Sonnet for Late Summer

Dry grass, abandoned boat, and old shed

Late Summer’s Sun

Late summer’s sun has baked the grass to brown.
The days grow shorter with each passing day,
Soon, autumn’s chill will make the leaves fall down.
All of this aching beauty will decay.

And yet I love the shadows’ slanting trace,
The once green grain gone golden in its rows,
And how I love the lines etched in your face.
It’s funny, as love ripens how it grows.

The number of our days we do not know.
No sleeper knows if he will ever wake.
So come, let’s join above, between, below.
My dear, let’s cause our fragile clay to quake.
Let us make love as if it’s our last go.
Let us embrace like dawn will never break.


(2015)

Notes:  It’s not really late summer, but it just feels like it. The ground is parched, the foliage is showing its mortality, and I’m ready for some rain. Normally I would wait until September to haul out this sonnet, but this year it feels later than it is.

Extra credit to any poetry geek who can spot the homage to John Donne in this poem.

Poem, with Overt Biblical and Literary Themes

The Grapes of Wrath

Grapes of Wrath

Once I loved a Jewess,
Tenderly and fair.
I was her gentle gentile,
She my queen with raven hair.

She fed me cheese and crackers,
We followed mountain streams.
We slept outside on winter nights,
And traded smoky dreams.

We cried outside a movie —
Our comfort caused us shame —
Mascara stained my sweater black,
I whispered close her name.

But when I loved another Jew,
She could not understand.
She thought he’d died in Palestine
When Romans ruled the land.

I sometimes think I see her still
Though many years have passed.
A glimpse of black hair in a crowd
Still makes my heart beat fast.


(1979)

Notes:  I’m not sure when I first noticed the new-fangled way to refer to B.C. and A.D. as Before the Common Era and Common Era.  Wikipedia tells us that the expression was used as far back as 1615 (A.D.), to emphasize secularism.

Harrumph.

Strictly for me, “B.C.E” and “C.E.” have always seemed like just one more feeble attempt to be politically correct. And political correctness gives me hives.

But, no matter. I have my own ways of marking time.  I have a B.C. and A.D. of my own.  One cold February day in 1972 marks that dividing line for me. I guess if you personalized them with my name, you could call them “B.B.C.” and “B.A.D.”

I also observe another, alternate. personal calendar that revolves around a different landmark of my life, that being when I found my wife.  There is “Before Jan” (B.J.), and “After Jan” (A.J.)  If you’ve been following this blog and reading the poems, you understand the significance.

This poem is definitely a B.J. era poem, and it straddles my personal B.C./A.D. divide. It has been consigned to a dusty old notebook for decades without seeing the light of day. In the midst of a recent guileless moment, I recited it to my wife.  She encouraged me to publish it.

While the drama in this little poem was a big deal at the time, I must say that I’ve pretty much made my peace with it now.

Independence Day Love Poem

Minneapolis Independence Day fireworks

INDEPENDENCE DAY

The wind and you played in my hair,
You lambent in the moon,
The night arranged as by design,
Mysteriously boon.

Afresh the breeze and warm our hands,
So lately introduced,
Traced so gently new found lands,
From tyranny aloosed.

While all around with fire and bang
Our freedom was proclaimed,
A nation’s liberty was meant,
To us, two hearts unchained.


(1982)

NOTES: We have our communal holiday traditions, and then we have our own, personal traditions.

I celebrate the Fourth of July as a double holiday. I’m proud and happy to honor our exceptional America and call it home.

And, it also warms my heart to remember the night I discovered my role in an on-going love story.

My personal affection for July Fourth goes back to 1982, when a young couple snuck to the roof of the Calhoun Beach Club in Minneapolis to watch the fireworks. This perch, high above Lake Calhoun, offered a 360 degree view of the entire Twin Cities area. You could see several fireworks displays from there, both near and far away.

Not gonna lie … best fireworks ever.

 

Minneapolis Love Poem

Lake of the Isles, Minneapolis
Lake of the Isles, Minneapolis … long ago

That Day We Lay Upon the Grass

That day we lay upon the grass,
++++A luminescent green.
The sparks that arced from arm to arm
++++Across the space between.

Our bodies quickened by the sun,
++++The willow leaves aflush,
The sunlight sparkling on the lake,
++++Our blood bestirred to rush.

Up and down the parkway, flowers
++++Enticing with their blooms,
Our loveless winter ended there,
++++Emerging from our tombs.

For we had slept as sleepers sleep,
++++Unmindful of the world,
Astonishingly we awoke,
++++Much like a rose unfurled.


(2015)

Notes: July 3 is almost as big a holiday for me as July 4.

On July 3, 1982 I took a walk with a beautiful woman around that most beautiful of the Minneapolis lakes, Lake of the Isles. We had known each other less than two months. We sat down in the grass by the lagoon.

And then this happened.

Midsummer Love Poem

Here comes midsummer's milestone of our love

Here Comes Midsummer’s Milestone

Here comes midsummer’s milestone of our love,
Years since our selfish selves we pledged to yield,
So we’re as broken-in now as the glove,
I wore so long ago while in the field.

Fresh from the store unworn straight to my room,
Rubbed in the oil and every crease explored,
All through the night I savored the perfume,
The musky linseed leather I adored.

Come sober daylight with our job to do,
All awkward stiff not giving either way,
How many sweaty strivings’ deja vu
It took before we as one flesh could play.

Some ragged days I’d spit and pound the palm,
Or hurl the thing against the dugout wall,
But all the while a magic mute and calm
Mutated hand to glove with every ball.

The softening was gradual but sure.
Soon nerves and muscles seemed just like they spanned
From fingertips to join the glove secure,
As if I had been born with one webbed hand.

We’ve come now to the eve of middle age,
Well worn but with a lot of sport to go.
We must each for the other one assuage
Those stinging blows life certainly will throw.

We’ve held through wins and losses and through rain,
That etched new cracks not there at all before.
But loves like this were made to take the strain,
Just like that piece of cowhide that I wore.


(1992)

Notes:

Not long ago, I asked my wife if she had a favorite poem. Her blink reaction was, “the one about the baseball glove.”

It was written sometime in the early 1990s. We were just starting a family. My career was having troubled taking off. The agency where I worked had just downsized, leaving the few of us who remained in a state of anxiety.  I would take long lunch breaks and write poems parked by the side of Lake of the Isles in Minneapolis.

Years before, back in my Missouri hometown, my first love had been baseball.

I cannot begin to total up the hours spent playing baseball, watching baseball, collecting baseball cards, sorting baseball cards, reading about baseball, and dreaming about playing in the World Series.

My first baseball glove was a treasure, my most prized possession.

I knew the starting line-ups of both the St. Louis Cardinals and the Kansas City A’s by heart. Hot summer nights were made tolerable listening to games my little transistor radio. Harry Caray (who broadcast for the Cardinals BEFORE he jumped to the Cubs) was my favorite.  “Holy cow!”

When I played one-man whiffle ball against my friend Royce, we would pick a team and go through the line up as each individual player. If the guy batted right, we batted right. If he batted left, we batted left.

(We drew the line at pitching left-handed, because neither of us was truly ambidextrous.)

Our spare time was spent searching for discarded pop bottles which we could turn into the neighborhood grocery store for two cents apiece. Every 5 bottles meant we could buy two more packs of baseball cards.

Somewhere between the ages of 12 and 13, we discovered girls and moved on to other interests. A long and winding path led me to the love of my life.

We were married 33 year ago this June.

The inspirations for this poem are multiple. I recall midsummer drawing near and along with it my wedding anniversary.

I was feeling that sense of my youth slipping away. But, despite the oppressive job I was enduring, I was confident that good things still lay ahead.

I was also listening to a lot of Van Morrison. His song “Madame George” was stuck in my head. (Quite possible the most poignant song ever written.)

In particular, I was hearing the line where Van does his improvisational scat-singing thing repeating the words “love” and “glove” over and over in an almost hypnotic chant.

My story is about a very different glove, and a very different love. But that merging of the two rhyming words was lodged in my mind.

The result of all of this ferment was this poem.

The only time I’ve ever read it in public, I was told it was “an audacious metaphor.”

I’ll take that.

Today, I post this little poem again. It’s as true today as when I wrote it years ago.