Poem in Autumn

Autumn leaves

Autumn Lament

September’s sun has come and gone
+++And now the fall is here.
October’s blaze adorns the lawn,
+++The swan song of the year.

The bonfires of my autumns past
+++Burn cool as I recall
The hayride loves that failed to last
+++Beyond the end of fall.

Out on the gridiron battlefield,
+++Where so much toil was paid,
Where cheers and chants once loudly pealed,
+++Now flags and glory fade.

Our friends and kinsmen now are few.
+++Our lovers are all gone.
All those we thought would see us through
+++Cannot be counted on.

When we were young we loved the fall.
+++We loved the leaves aglow.
Knew always we’d have one more fall.
+++Those days, what did we know?

(2018)


When I wrote this one last year, I had no idea how prophetic it would be. In the past 12 months, I’ve learned of the deaths of my sister-in-law, and a college dormmate. And just recently, I discovered that the high school buddy I shared more experiences with than any other has entered an Alzheimer’s nursing home.

I used to love the fall.

Sonnet for Late Summer

The grass has turned to brown

Late Summer’s Sun

Late summer’s sun has baked the grass to brown.
The days grow shorter with each passing day,
Soon, autumn’s chill will make the leaves fall down.
All of this aching beauty will decay.

And yet I love the shadows’ slanting trace,
The once green grain gone golden in its rows,
And how I love the lines etched in your face.
It’s funny, as love ripens how it grows.

The number of our days we do not know.
No sleeper knows if he will ever wake.
So come, let’s join above, between, below.
My dear, let’s cause our fragile clay to quake.
Let us make love as if it’s our last go.
Let us embrace like dawn will never break.


(2015)

Notes:  T.S. Eliot said April was the cruelest month. I disagree. I think it’s August. The ground is parched, the foliage is showing its mortality, and it’s clear that we’ve passed high summer and we’re on the downhill slide. Nothing gold can stay and the highway dust is over all.

Extra credit to any poetry geek who can spot the homage to John Donne in this poem.

 

 

Cold Autumn Poem

Autumn scene

Autumn Song

Afternoon in late September
Shows us signs we both can follow,
Shadows where there were no shadows
Days before, encroach on meadows,
Turning brittle brown and yellow.
Six o’clock’s a dying ember
Causing grown men to remember
Another fall’s disturbing echo.

When, unnoticed, fell the first leaves,
Yellow elm leave tired of sunshine?
Who suspected seeing such ease
When the first chill stunned the green vine?
Is embarrassment the reason
Sumac’s crimson hides its poison?
When was foliage last so supine?

Rainy night in mid-October
Brings the icy confirmation —
Twigs encased in shiny coffins
Clenched in cold that never softens.
Even daylight’s ministration
Alters no repose so sober
As the sleep of mid-October,
Sleep of spreading desolation.


(1979)

Notes:  Took a walk this evening and it finally felt cold for the first time.  Cold enough to pull this old poem out, dust it off, and trot it out again.

Written years ago and far away, when I lived in a much different climate.  My Puget Sound friends and neighbors might find it hard to relate to an autumn that leaves twigs encased in icy coffins, but my friends back in Minnesota understand all too well.

I recall one Halloween when my son and I set out at dusk to trick or treat in Minneapolis.  We made our way about two blocks as it began to snow hard, then harder.  We almost didn’t make it back home as we trudged through calf-deep drifts.

Autumn has its beauty.  “Every leaf is a flower,” is a beautiful sentiment.

But the fall is also one of God’s great metaphors.  And that makes it poignant, even as it is achingly beautiful.

All Saint’s Haiku

Ginko tree in October

The modest ginkgo
adorns herself in splendor
for All Hallows’ Eve.


NOTES: All Hallows’ Eve begins the 3-day observance of All Hallows’ Tide, dedicated to remembering the dead, including the saints, martyrs, and faithful departed.

According to current statistics from Open Doors, each month around the world, 322 Christians are killed for their faith,

Poem for Autumn

October's blaze adorns the lawn

Autumn Lament

September’s sun has come and gone
++++And now the fall is here.
October’s blaze adorns the lawn,
++++The swan song of the year.

The bonfires of my autumns past
++++Burn cool as I recall
The hayride loves that failed to last
++++Beyond the end of fall.

Out on the gridiron battlefield,
++++Where so much toil was paid,
Where cheers and chants once loudly pealed,
++++Now flags and glory fade.

Our friends and kinsmen now are few.
++++Our lovers are all gone.
All those we thought would see us through
++++Cannot be counted on.

When we were young we loved the fall.
++++We loved the leaves aglow.
Knew always we’d have one more fall.
++++Those days, what did we know?


(2018)

NOTES: Something about autumn makes me want to return to the poems of British poet A.E. Housman.

Housman once said in a lecture that the special function of poetry was “to transfuse emotion–not to transmit thought but to set up in the reader’s sense a vibration corresponding to what was felt by the writer.”

There is something in so many of his poems that vibrates on the same wavelength with the sense of loss I feel when fall arrives. So when the nights began to cool and the leaves began to turn, I picked up my old copy of A Shropshire Lad and relished Housman’s lean, direct, and delicious verse once again.

One of the forms he used was a type of ballad that alternates lines of 8 syllables with lines of 6 syllables.  It’s the form Housman used in one of my favorites, Number XXXVI in Shropshire, a poem that opens:

White in the moon the long road lies,
The moon stands blank above;
White in the moon the long road lies,
That leads me from my love.

It’s a seemingly simple form, but ideal for conveying emotion in a concise, concentrated way. It’s tricky because the lines are so short. There is no room for filler or fluff. I had tried my hand at it before, but neglected it recently.

So, with my emotion fortified by Housman’s verse, and my memory refreshed regarding a potent poetic form, I sat down this week to try my hand at “transfusing emotion.”

Let me know if you picked up the vibration.

Sonnet for Late Summer

Dry grass, abandoned boat, and old shed

Late Summer’s Sun

Late summer’s sun has baked the grass to brown.
The days grow shorter with each passing day,
Soon, autumn’s chill will make the leaves fall down.
All of this aching beauty will decay.

And yet I love the shadows’ slanting trace,
The once green grain gone golden in its rows,
And how I love the lines etched in your face.
It’s funny, as love ripens how it grows.

The number of our days we do not know.
No sleeper knows if he will ever wake.
So come, let’s join above, between, below.
My dear, let’s cause our fragile clay to quake.
Let us make love as if it’s our last go.
Let us embrace like dawn will never break.


(2015)

Notes:  It’s not really late summer, but it just feels like it. The ground is parched, the foliage is showing its mortality, and I’m ready for some rain. Normally I would wait until September to haul out this sonnet, but this year it feels later than it is.

Extra credit to any poetry geek who can spot the homage to John Donne in this poem.

Full Moon Haiku

The Super Moon of 2017

Autumn’s last full moon
illuminates my night walk.
No fear of stumbling.


Notes:  The only supermoon of 2017 just happened Sunday night.  We had a bit of fog that — instead of obscuring the light of the moon — only amplified it.  It was so bright you could detect some colors.