Autumn Sonnet

Autumn scene

FALLING LEAVES LIKE LOVERS

The leaves, the leaves are gone except the oak,
Which cling to trees and rattle needlessly.
The others flame and fall for all to see.
They streak and sizzle, leaving only smoke.
But oak leaves hang as by some unseen yoke,
All browned and curled awaiting sympathy,
Or sap to course and lend vitality —
The leaves cannot perceive the sorry joke.
For spring will end the lie and they will drop,
To drift and rot and turn in time to dust.
As sure as buds will burst to make a crop
Of new, the old will flutter down — they must.
The falling leaves like lovers never stop.
It’s hardly gentle, but ’tis just, ’tis just.


NOTES: It was a mild and beautiful and extended autumn here in the Pacific Northwest, but the rains and winds have returned, knocking most of the remaining leaves off the trees over the Thanksgiving weekend.

Oak trees are not as plentiful here as they are back in the Midwest, where this poem was written some 35 years ago. But if there is an oak around, you can bet it will be hanging onto its leaves long after all the other trees have shed theirs.

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Late fall sonnet

Autumn leaves

Falling Leaves Like Lovers

The leaves, the leaves are gone except the oak,
Which cling to trees and rattle needlessly.
The others flame and fall for all to see.
They streak and sizzle, leaving only smoke.

But oak leaves hang as by some unseen yoke,
All browned and curled awaiting sympathy,
Or sap to course and lend vitality–
The leaves cannot perceive the sorry joke.

For spring will end the lie and they will drop,
To drift and rot and turn in time to dust.
As sure as buds will burst to make a crop
Of new, the old will flutter down–they must.
The falling leaves like lovers never stop.
It’s hardly gentle, but ’tis just, ’tis just.


Notes:  Some of my favorite poems compare the death that comes in the autumn to the end of a love.  Or poems that use the dying natural world when winter approaches as the backdrop for the story.

I think of Robert Frost’s Reluctance, with its heartbreaking line about it being treasonous “to bow and accept the end of a love, or a season.”

Or Thomas Hardy’s Neutral Tones, which uses a frozen landscape as the setting for the realization that a relationship has ended.

Then, there is John Crowe Ransom’s Winter Remembered, with its wonderful image comparing the forsaken lover’s cold fingers to “Ten frozen parsnips hanging in the weather.”

I may never have discovered Ransom had it not been for my 11th grade English teacher,  Paul Hagedorn, back in Marshall, Missouri.  We spent an inordinate amount of time on poetry that year.  The major assignment, as I recall it, was to select an American poet from a lengthy list, and then immerse yourself in the writer’s work, and finally write a paper.

Knowing nothing about most of the choices, I picked John Crowe Ransom solely because I liked the sound of his name.  I got lucky, because I discovered I enjoyed his work.  Had I chosen Wallace Stevens with his difficult, cerebral verse, I probably would have flunked.

Another assignment was to prepare a notebook of our favorite poems.  I remember making daring choices, including song lyrics by such radicals as Paul Simon and Bob Dylan.  Now  that Dylan as been awarded the Nobel Prize for Literature, I consider myself foresighted.

I was fortunate that Mr. Hagedorn approved of my choices.  He was the cool, young teacher back then.  He managed to fan the flames of inspiration and love for poetry.  They smoldered for years, flaming up now and then, and have finally started burning here in this blog.

Autumn poem

Autumn leaves in the gutter
Autumn Song

Afternoon in late September
Shows us signs we both can follow,
Shadows where there were no shadows
Days before, encroach on meadows,
Turning brittle brown and yellow.
Six o’clock’s a dying ember
Causing grown men to remember
Another fall’s disturbing echo.

When, unnoticed, fell the first leaves,
Yellow elm leave tired of sunshine?
Who suspected seeing such ease
When the first chill stunned the green vine?
Is embarrassment the reason
Sumac’s crimson hides its poison?
When was foliage last so supine?

Rainy night in mid-October
Brings the icy confirmation —
Twigs encased in shiny coffins
Clenched in cold that never softens.
Even daylight’s ministration
Alters no repose so sober
As the sleep of mid-October,
Sleep of spreading desolation.


Notes:  Written years ago and far away, when I lived in a much different climate.  My Puget Sound friends and neighbors might find it hard to relate to an autumn that leaves twigs encased in icy coffins, but my friends back in Minnesota understand all to well.

I recall one Halloween when my son and I set out at dusk to trick or treat in Minneapolis.  We made our way about two blocks as it began to snow hard, then harder.  We almost didn’t make it back home as we trudged through calf-deep drifts.

Autumn has its beauty.  “Every leaf is a flower,” is a beautiful sentiment.

Bit the fall is also one of God’s great metaphors.  And that makes it poignant, even as it is achingly beautiful.

Late summer sonnet

The once green grain gone golden in its rows
Late Summer’s Sun

Late summer’s sun has baked the grass to brown.
The days grow shorter with each passing day,
Soon, autumn’s chill will make the leaves fall down.
All of this aching beauty will decay.

And yet I love the shadows’ slanting trace,
The once green grain gone golden in its rows,
And how I love the lines etched in your face.
It’s funny, as love ripens how it grows.

The number of our days we do not know.
No sleeper knows if he will ever wake.
So come, let’s join above, between, below.
My dear, let’s cause our fragile clay to quake.
Let us make love as if it’s our last go.
Let us embrace like dawn will never break.


Notes:

It’s that time again to haul this old one out of the vault.

Among other things, God was the first poet.  The world is full of rhyme and rhythm, image and metaphor.

In our own small, imperfect way, we just catch glimpses.