Winter Walk

Frozen moon through grey trees

The Yuletide lights are packed away,
+++++Grey leaves creep down the street.
The trees at dusk are shades of grey,
+++++Grey sky makes grey complete.

The old man mutters as he scrapes
+++++His trash can to the curb.
The trees complain and sway their shapes
+++++As gusts their peace disturb.

Thin clouds scud past the frozen moon,
+++++The distant highway drones,
Debris from windy storms lies strewn,
+++++The path gives way to stones.

A solitary sparrow picks
+++++A solitary seed
Out from the desiccated sticks
+++++To slake its piercing need.

We’ve reached the nadir of the year,
+++++The time when flowers sleep.
No wish can make them reappear
+++++From their repose so deep.


(2019)

NOTES: Winter can be dreary in the Northwest. The days are as short as they are long in summer. It rains incessantly. Storms roll in from the Pacific and wreak havoc with trees and electrical power grids.

I know. I know. This may sound wimpy when my friends back in Minnesota are staring at temperatures in the 20s below zero Fahrenheit this week. It’s true that we enjoy a Marine climate here on the Puget Sound. It doesn’t get that cold, and I’ve shoveled snow exactly one time since I moved here 25 years ago.

But winter is long, and  I’m eager for the page to turn and the return of the crocus and the robins.

I’ve noticed that walking without earphones or music stimulates the poetry center of the brain.  I think it’s because I hear what’s going on around me.  As I walked this past week on a windy evening, I noticed the tall evergreens making a perceptible swishing sound, back and forth, back and forth.

Read the second stanza aloud and see if you can hear it, too.

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Poem in protest of spring

Late snowfall

COME GENTLE SNOW

Come gentle snow and cloak the ground,
Shroud budding branches all around,
Let not one scent of spring be found,
Make flowers wait.

Come frost and freeze the throbbing juice,
Break March’s short and shaky truce,
No sprout nor songbird yet aloose,
Let spring be late.

Come wind and make the oak leaves hiss,
When they descend no one will miss
Their brittle shade — no artifice
Can bring them back.

Come night and steal the season’s gain;
The verdure will begin to wane
Despite the wealth of easy rain
If it stays black.

Come sleep and shield me from the past,
Help me forget her I loved last,
Wrap safely me in sanctums vast,
Away from pain.


NOTES: We haven’t had that wonderful March snowstorm here in Western Washington yet this year.  So I’ll have to settle for a photo from last year.

We had some snow in late February, but I’m still pulling for a blizzard in March.

You see, I’m allergic to March here — the alder and cedar pollen are not kind to me.

Nearly 40 years ago when I wrote this poem protesting spring, I was an unrequited, tragic romantic. O woe was me!  I thought I’d never be happy again.  Of course, I was wrong.

If I can just make it through March to April, I should be fine.

Midsummer Haiku, Again


Midsummer sunset over the Olympics

The pasture is brown,
and snow has left the mountains.
But the sky. The sky!


NOTES:  Late summer signs are coming early to the Pacific Northwest this year.  This past winter we broke a 122 year record for rainfall in Seattle.  We got 44.67 inches of rain from October through April.  Which was the wettest such stretch since record-keeping began in 1895. (We rack up almost 9 inches in February alone.)

So, of course, we’re now working on a rainless record.   Nothing since June 17.

But not to worry.  This is the Pacific Northwest.  No matter how dry it gets this summer, we know that the rains will return in the fall and remain with us for what seems like forever.  So we can relax and appreciate the beauty around us.

Poem against spring

Late snowfall

COME GENTLE SNOW

Come gentle snow and cloak the ground,
Shroud budding branches all around,
Let not one scent of spring be found,
Make flowers wait.

Come frost and freeze the throbbing juice,
Break March’s short and shaky truce,
No sprout nor songbird yet aloose,
Let spring be late.

Come wind and make the oak leaves hiss,
When they descend no one will miss
Their brittle shade — no artifice
Can bring them back.

Come night and steal the season’s gain;
The verdure will begin to wane
Despite the wealth of easy rain
If it stays black.

Come sleep and shield me from the past,
Help me forget her I loved last,
Wrap safely me in sanctums vast,
Away from pain.


NOTES: We had one of those late snowfalls last week. This time of year in Western Washington, there are already signs of spring.  Those signs were utterly–but temporarily–obscured by the snow.

Nearly 40 years ago when I wrote this poem protesting spring, I was an unrequited, tragic romantic. O woe was me!  I thought I’d never be happy again.  Of course, I was wrong.

Today, I still dread the onset of spring, but for different reasons. When March comes, the alder tree pollen starts to bloom. And that’s when I start sneezing.

If I can just make it through March to April I should be fine.

Winter sonnet

That bleak season

That Bleak Season

That bleak season the cold creek ceased to run,
Grey weeds withered beside the roadside ditch,
Flat leaden clouds obscured a sullen sun,
Winds lashed ice-lacquered leaves without a twitch.

Field stalks bowed down to winter’s weary weight,
The world conspired to pile pang upon pang,
Even the crusted snow cried, “Much too late!”
Caged by a skeleton hedge, no bird sang.

That bleak season love went the way of leaves,
Good green seeming, but poised to take the fall,
First frost stunned then assailed by windy thieves,
Some futile few sought stubborn to forestall
The impending end ’til a fell gust cleaves
Asunder with only a scrawny squall.


Notes:  If you read enough Gerard Manley Hopkins, it can mess up your iambic pentameter.  That’s because he often wrote in what he called “sprung rhythm,” which involved tossing out the sing-song metric rules that so many of his Victorian contemporaries followed.

Sprung rhythm was not free verse.  Hopkins followed his own complex set of rules, but he was wildly eccentric for those times.

I do not claim to follow Hopkins or his rules here.  This poem is more like “disjointed rhythm” than sprung rhythm.  But this seems to me to be very appropriate for the subject matter of a world and a love wrenched all out of joint.

This poem still faintly resembles a sonnet.  It still has 10 syllables to each line.  It still rhymes in a familiar pattern, close to the English sonnet, but ending in an e-f rhyme instead of g-g.

First snow haiku

Me with a snow-woman
The year’s first snowfall
always makes me feel just like
I’m a kid again.


Notes:  Western Washington goes a little crazy over snow, especially when it’s the first one of the season.

I saw a lots of weather posts today from friends and colleagues.  I must admit, like Robert Frost, I’m a bit of a sucker for “a dust of snow.”