The pasture is brown,
and snow has left the mountains.
But the sky. The sky!
NOTES: Late summer signs are coming early to the Pacific Northwest this year. This past winter we broke a 122 year record for rainfall in Seattle. We got 44.67 inches of rain from October through April. Which was the wettest such stretch since record-keeping began in 1895. (We rack up almost 9 inches in February alone.)
So, of course, we’re now working on a rainless record. Nothing since June 17.
But not to worry. This is the Pacific Northwest. No matter how dry it gets this summer, we know that the rains will return in the fall and remain with us for what seems like forever. So we can relax and appreciate the beauty around us.
COME GENTLE SNOW
Come gentle snow and cloak the ground,
Shroud budding branches all around,
Let not one scent of spring be found,
Make flowers wait.
Come frost and freeze the throbbing juice,
Break March’s short and shaky truce,
No sprout nor songbird yet aloose,
Let spring be late.
Come wind and make the oak leaves hiss,
When they descend no one will miss
Their brittle shade — no artifice
Can bring them back.
Come night and steal the season’s gain;
The verdure will begin to wane
Despite the wealth of easy rain
If it stays black.
Come sleep and shield me from the past,
Help me forget her I loved last,
Wrap safely me in sanctums vast,
Away from pain.
NOTES: We had one of those late snowfalls last week. This time of year in Western Washington, there are already signs of spring. Those signs were utterly–but temporarily–obscured by the snow.
Nearly 40 years ago when I wrote this poem protesting spring, I was an unrequited, tragic romantic. O woe was me! I thought I’d never be happy again. Of course, I was wrong.
Today, I still dread the onset of spring, but for different reasons. When March comes, the alder tree pollen starts to bloom. And that’s when I start sneezing.
If I can just make it through March to April I should be fine.
That Bleak Season
That bleak season the cold creek ceased to run,
Grey weeds withered beside the roadside ditch,
Flat leaden clouds obscured a sullen sun,
Winds lashed ice-lacquered leaves without a twitch.
Field stalks bowed down to winter’s weary weight,
The world conspired to pile pang upon pang,
Even the crusted snow cried, “Much too late!”
Caged by a skeleton hedge, no bird sang.
That bleak season love went the way of leaves,
Good green seeming, but poised to take the fall,
First frost stunned then assailed by windy thieves,
Some futile few sought stubborn to forestall
The impending end ’til a fell gust cleaves
Asunder with only a scrawny squall.
Notes: If you read enough Gerard Manley Hopkins, it can mess up your iambic pentameter. That’s because he often wrote in what he called “sprung rhythm,” which involved tossing out the sing-song metric rules that so many of his Victorian contemporaries followed.
Sprung rhythm was not free verse. Hopkins followed his own complex set of rules, but he was wildly eccentric for those times.
I do not claim to follow Hopkins or his rules here. This poem is more like “disjointed rhythm” than sprung rhythm. But this seems to me to be very appropriate for the subject matter of a world and a love wrenched all out of joint.
This poem still faintly resembles a sonnet. It still has 10 syllables to each line. It still rhymes in a familiar pattern, close to the English sonnet, but ending in an e-f rhyme instead of g-g.
The year’s first snowfall
always makes me feel just like
I’m a kid again.
Notes: Western Washington goes a little crazy over snow, especially when it’s the first one of the season.
I saw a lots of weather posts today from friends and colleagues. I must admit, like Robert Frost, I’m a bit of a sucker for “a dust of snow.”