That Bleak Season
That bleak season the cold creek ceased to run,
Grey weeds withered beside the roadside ditch,
Flat leaden clouds obscured a sullen sun,
Winds lashed ice-lacquered leaves without a twitch.
Field stalks bowed down to winter’s weary weight,
The world conspired to pile pang upon pang,
Even the crusted snow cried, “Much too late!”
Caged by a skeleton hedge, no bird sang.
That bleak season love went the way of leaves,
Good green seeming, but poised to take the fall,
First frost stunned then assailed by windy thieves,
Some futile few sought stubborn to forestall
The impending end ’til a fell gust cleaves
Asunder with only a scrawny squall.
Notes: If you read enough Gerard Manley Hopkins, it can mess up your iambic pentameter. That’s because he often wrote in what he called “sprung rhythm,” which involved tossing out the sing-song metric rules that so many of his Victorian contemporaries followed.
Sprung rhythm was not free verse. Hopkins followed his own complex set of rules, but he was wildly eccentric for those times.
I do not claim to follow Hopkins or his rules here. This poem is more like “disjointed rhythm” than sprung rhythm. But this seems to me to be very appropriate for the subject matter of a world and a love wrenched all out of joint.
This poem still faintly resembles a sonnet. It still has 10 syllables to each line. It still rhymes in a familiar pattern, close to the English sonnet, but ending in an e-f rhyme instead of g-g.