I sing not for glory nor for bread,
Nor for the praise of the credentialed clique.
But for hire more valuable instead,
To touch the honest kindred heart I seek.
I sing for lovers when love is green,
When time stops for a solitary kiss.
When light shines anew as with new eyes seen,
I celebrate your fey and fragile bliss.
I sing for the lonely, lovelorn heart,
When light grows cold and aching will not cease,
When your enchanted world falls all apart,
I offer modest salve to give you peace.
I sing for the pilgrim searching soul
Pursuing the heart’s true cause and treasure.
May Heaven’s Hound, you hasten to your goal,
And propel you to your proper pleasure.
I sing for the wise who see their end,
And, too, for those who have not yet awoke.
For to a common home we all descend,
With common dirt for all our common cloak.
I sing not for money nor for art,
Nor to amuse curators of our trade.
The simple wages of the simple heart
Will satisfy when my accounts are weighed.
(2017)
A few years ago a friend asked me, “Why poetry?”
I didn’t really have a snappy answer. Actually, I hadn’t analyzed it very much. I’d grown up reading poetry. Some of my earliest memories of nursery thymes, and a bit later later the delightful poems of Eugene Field and the stirring tales of Longfellow. My mother loved Frost. In high school, our teachers introduced us to Shakespeare, Whitman, and William Cullen Bryant, and many others.
A few years later, when I hit a patch where life didn’t seem to make sense, it only seemed natural to express the distress in poetry. It was if putting things in order with some sort of design helped achieve a measure of equilibrium, if only for a little while.
And I’ve been doing that off and on ever sense.
That question from my friend set me to wondering. And the result was this modest poem.
The photo is from a time when I fancied myself wise, but still didn’t have enough experience to know very much at all.
I sing not for glory nor for bread,
Nor for the praise of the credentialed clique.
But for hire more valuable instead,
To touch the honest kindred heart I seek.
I sing for lovers when love is green,
When time stops for a solitary kiss.
When light shines anew as with new eyes seen,
I celebrate your fey and fragile bliss.
I sing for the lonely, lovelorn heart,
When light grows cold and aching will not cease,
When your enchanted world falls all apart,
I offer modest salve to give you peace.
I sing for the pilgrim searching soul
Pursuing the heart’s true cause and treasure.
May Heaven’s Hound, you hasten to your goal,
And propel you to your proper pleasure.
I sing for the wise who see their end,
And, too, for those who have not yet awoke.
For to a common home we all descend,
With common dirt for all our common cloak.
I sing not for money nor for art,
Nor to amuse curators of our trade.
The simple wages of the simple heart
Will satisfy when my accounts are weighed.
NOTES: I couldn’t allow Poetry Month to slip away without posting this manifesto for those who write for love.
The photo is from long ago and far away, before I had much to write about. But that would change in time.
Perhaps it was in Athens that you found
A glimpse of what you vaguely hoped was there.
You stood atop the pagans’ holy ground
The golden light shone all about your hair.
Perhaps it was in Florence when you stood
Before the boldly sculpted Hebrew king
That something stirred within you, something good,
Suggesting that one day your heart would sing.
But who would dream that your epiphany
Would strike in places both obscure and spare–
A country town on life’s periphery–
Or suburb that might well be anywhere.
Improbably, inside a darkened room
The golden light shone all about your hair.
(2018)
NOTES: When she was in her early 20s, my wife, long before I met her, headed off to see Europe. She told her parents she was travelling with a friend, but she actually went alone. (I think the statute of limitations on that crime has long passed, so it’s safe to report it.)
She was a seeker, but I don’t believe she really knew what she was looking for. It could have been adventure. It could have been truth and beauty. I have a sneaking suspicion that she was trying to imitate Joni Mitchell and find love on some exotic Greek Island.
Although she broke her foot alighting from a bus, and had to fight off the amorous advances of a Greek boat captain, she made it back to the U.S. alive. But she still hadn’t found what she was looking for.
That epiphany actually happened a bit later in the spare bedroom of her grandparents’ house in a tiny town in northern Minnesota. She tells the story much better than I, but suffice to say it was one of those dramatic spiritual encounters where God gives a seeking, but still doubting heart, the assurance it needs.
Then, fast forward a few years to the point of the story where I come in. It’s actually the story of my epiphany, but she was central to it.
I’m a reporter for a weekly newspaper in a first-ring suburb of Minneapolis. I’m covering a conference led by the then-Chaplain of the U.S. Senate, Richard Halverson. It’s being held in a high school auditorium.
As I’m inching down the far right aisle with my camera in hopes of lining up a good shot, I see–sitting all by herself in the middle of the second row–this beautiful blonde woman. (That is not terribly unusual. I am a lonely single guy, and I notice these things.)
But what really gets my attention is that the beautiful blonde woman is glowing with a golden aura. I kid you not. This is a darkened auditorium. There is no spotlight or any other natural light source shining on her. But she is glowing. But no one else apparently notices.
(Had I been a better reporter, I might have taken her picture. But I doubt that the light I saw would show up on normal 35mm film.)
So I proceed to get my photo of the chaplain and take notes for my story, but I keep one eye on the beautiful glowing blonde woman.
I observe, sadly, that at the end of the program she immediately approaches the chaplain and his companions, and appears to be a member of his party from Washington, D.C.
My hopes dashed, I go back to the office, write my story and go on with my life.
A couple of week later, I find myself at the local Presbyterian church I had recently started attending. I’m talking to my friend Marci, a fellow member of the singles group. Imagine my surprise when who should stride up but the blonde woman from the conference. (Although she is no longer glowing with supernatural light, she is still beautiful.)
And, as fate would have it, they know each other. Marci says, “Jan, I’d like you to meet my friend Bob. Bob, this is Jan.” Then Marci turns and quickly ducks out of the conversation.
Right then I am pretty convinced that God had made the beautiful blonde woman glow for me. Being a little slow on the uptake, I needed the equivalent of a neon arrow to get my attention.
I play it cool and wait to mention the fact that I had seen her glowing until a bit later. But I make sure to meet her the next week at church, and get her phone number. I am not going to let this one get away again.
STYLE NOTE: I should point out that I intentionally violated the rhyme scheme in the next to the last line. The rhyming word comes not at the end of the line but at the very beginning. It was on purpose because–well–the event being described was improbable.
We come now to the winter of our years
(Where did the autumn with its pleasures go?)
Our roof will all too soon be cloaked with snow,
So, come, let’s stoke our fire against the fears.
It seems another life ago, my dear,
That full of grace you pilgrim sat aglow
Enkindled so this prodigal would know
That grace was free and grace was very near.
Midsummer’s eve brought more epiphanies
Of spotless bride adorned, redeemed, in white,
Too ill for customary liberties,
So wan, yet still for these sore eyes a sight.
Then! Over Lake Champlain the full moon sees
A railway sleeper car rock through the night.
(2013)
Notes:
When love is good and it lasts, it can be tempting to idealize its beginnings.
But, the very first time I saw my wife, she was glowing. I kid you not. Sitting in the second row of a darkened auditorium listening to the Chaplain of the U.S. Senate, there she was — surrounded by a golden aura.
At the time, I was a reporter for a small suburban weekly paper, and was there on assignment. I had a camera, but was so befuddled I failed to get the shot. (Of the Glowing Girl, that is.) You might argue I was imagining things, but I don’t think so. I’m not given to visions nor hallucinations. I’ve never witnessed anything like it before or since.
I kept my eye on her while I got my story. But at the end of the program, she went right up to the speaker. I figured she must be with the group of important people who had accompanied him from Washington, D.C.
So, I put The Glowing Girl out of mind and tried to forget about her.
Fortunately for me, she turned up again a couple of weeks later at church. It turns out she was a friend of a friend, who introduced us and immediately left us alone. I didn’t let her get away a second time.
I think the whole experience was a special gift for a fellow a bit slow on the uptake, who needed a sign to notice a good thing right under my nose.
That’s my story and I’m sticking to it.
We were married three years later at Midsummer. She was sick and only made it through the festivities with the help of cold medicine. The next morning we flew out of town to New York, and the very next night, took an overnight train to Montreal.
I sing not for glory nor for bread,
Nor for the praise of the credentialed clique.
But for hire more valuable instead,
To touch the honest kindred heart I seek.
I sing for lovers when love is green,
When time stops for a solitary kiss.
When light shines anew as with new eyes seen,
I celebrate your fey and fragile bliss.
I sing for the lonely, lovelorn heart,
When light grows cold and aching will not cease,
When your enchanted world falls all apart,
I offer modest salve to give you peace.
I sing for the pilgrim searching soul
Pursuing the heart’s true cause and treasure.
May heaven’s hound, you hasten to your goal,
And propel you to your proper pleasure.
I sing for the wise who see their end,
And, too, for those who have not yet awoke.
For to a common home we all descend,
With common dirt for all our common cloak.
I sing not for money nor for art,
Nor to amuse curators of our trade.
The simple wages of the simple heart
Will satisfy when my accounts are weighed.
NOTES: I understand April is Poetry Month. In keeping with this solemn occasion, here’s a poem about poetry.
“No man but a blockhead ever wrote, except for money.” — Samuel Johnson
I Sing Not for Glory
I sing not for glory nor for bread,
Nor for the praise of the credentialed clique.
But for hire more valuable instead,
To touch the honest kindred heart I seek.
I sing for lovers when love is green,
When time stops for a solitary kiss.
When light shines anew as with new eyes seen,
I celebrate your fey and fragile bliss.
I sing for the lonely, lovelorn heart,
When light grows cold and aching will not cease,
When your enchanted world falls all apart,
I offer modest salve to give you peace.
I sing for the pilgrim searching soul
Pursuing the heart’s true cause and treasure.
May heaven’s hound, you hasten to your goal,
And propel you to your proper pleasure.
I sing for the wise who see their end,
And, too, for those who have not yet awoke.
For to a common home we all descend,
With common dirt for all our common cloak.
I sing not for money nor for art,
Nor to amuse curators of our trade.
The simple wages of the simple heart
Will satisfy when my accounts are weighed.
NOTES: Samuel Johnson was a funny guy. If his aphorism is correct, that “no man but a blockhead ever wrote, except for money,” then poets are the biggest blockheads of them all.
A few diligent writers of books and screenplays and advertising copy can manage to make a living scribbling words. But poets need another gig to pay the bills.
Most often, they teach. Gerard Manley Hopkins was a priest and a teacher. Robert Frost famously tried his hand at farming, but he also taught and lectured.
Some poets have conducted quite conventional careers during the day to support their poetry habit at night. Insurance executive Wallace Stevens and physician William Carlos Williams are a couple of well known examples.
Dylan Thomas really couldn’t do much else besides write poems, and so he waged a losing war with poverty until he drank himself to death. He probably would have perished much sooner except for the fact he was able to charm wealthy female admirers into becoming patronesses.
About the only thing I have in common with the aforementioned gentlemen is that while I sometimes commit poetry, I also need another means to make a living.
I started my professional life in the 1970s as an ink-stained wretch of a newspaperman. While chasing deadlines was exhilarating when I was still a young man, there were already storm clouds on the horizon for journalism. Afternoon dailies were going extinct, and cities that had formerly had 2, 3 or more newspapers were seeing them merge or go out of business.
Little did I know that in just a few years, the internet would come along and fatally wound the mainstream media organizations, forcing them to trim their newsrooms and close regional bureaus.
I sensed that there was a disturbing uniformity of political opinion in the newsrooms of my youth. My own political worldview was still evolving, but even back then everybody I worked with seemed to be left-leaning and Reagan-loathing. The lockstep groupthink bothered me.
In my naïve idealism, I thought journalists were supposed to be fiercely objective. I never caucused with any party, and I strove to play my own coverage right down the middle. I’d have coffee with both Democrats and Republicans, and always made sure to pay my own check because I didn’t want to owe anybody anything.
When the owner of one paper tried to pressure me to join the local Rotary Club, I refused because I didn’t want membership to influence my coverage of any organization.
If I had still been a journalist this past year I think my head would have exploded. With news organizations colluding with political campaigns, and sharing debate questions in advance with the favored candidate, it became clear that our creaky old news institutions had jumped the shark.
I would have burned my press card in protest.
I wish I could say I was smart enough to foresee the death of journalism and jump ship intentionally, but it was more random than that. I was about to get married and I needed a job in Minneapolis. The cash-strapped metropolitan dailies weren’t hiring right then, and so I took the first job I could get.
Fortunately I had stumbled my way into direct marketing. That later led me into non-profit fundraising. The bulk of my career since has been helping good causes raise money. Healing the sick, feeding the hungry, caring for widows and orphans, defending the persecuted, visiting those in prison, bringing the good news to those in bondage — that sort of thing.
I began to appreciate what I do a whole lot more when I stopped thinking about it as marketing and started thinking about it as “soul stirring.” When I’m doing it right, I touch the heart to stir people up to good works, and inspire them to be generous.
If you ask me, that’s really just a short step away from poetry. It’s all soul stirring.
We come now to the winter of our years
(Where did the autumn with its pleasures go?)
Our roof will all too soon be cloaked with snow,
So, come, let’s stoke our fire against the fears.
It seems another life ago, my dear,
That full of grace you pilgrim sat aglow
Enkindled so this prodigal would know
That grace was free and grace was very near.
Midsummer’s eve brought more epiphanies
Of spotless bride adorned, redeemed, in white,
Too ill for customary liberties,
So wan, yet still for these sore eyes a sight.
Then! Over Lake Champlain the full moon sees
A railway sleeper car rock through the night.
Notes:
When love is good and it lasts, it can be tempting to idealize its beginnings.
But, the very first time I saw my wife, she was glowing. I kid you not. Sitting in the second row of a darkened auditorium listening to the Chaplain of the U.S. Senate, there she was — surrounded by a golden aura.
At the time, I was a reporter for a small suburban weekly paper, and was there on assignment. I had a camera, but was so befuddled I failed to get the shot. You might argue I was imagining things, but I don’t think so. I’m not given to visions nor hallucinations. I’ve never witnessed anything like it before or since.
I kept my eye on her while I got my story. But at the end of the program, she went right up to the speaker. I figured she must be with the group of important people who had accompanied him from Washington, D.C.
So, I put The Glowing Girl out of mind and tried to forget about her.
Fortunately for me, she turned up again a couple of weeks later at church. She was a friend of a friend, who introduced us and immediately left us alone. I didn’t let her get away a second time.
I think the whole experience was a special gift for a fellow a bit slow on the uptake, who needed a sign to notice a good thing right under my nose.
That’s my story and I’m sticking to it.
We were married at Midsummer. She was sick and only made it through the festivities with the help of cold medicine. The next morning we flew out of town to New York, and the very next night, took an overnight train to Montreal.
Poetic Champions 